I’m incredibly grateful for the opportunity to be nominated for Best Actor at the Austin Comedy Short Film Festival. Recognition like this means a lot, especially for a project as offbeat and fun as The Runs. Huge thanks to the festival team for supporting indie comedy and giving weird little films (and performances) a spotlight.

Bored As Hell returns with Season 2, brought to life by the endlessly creative mind of Kevon Ward (writer/director/SFX wizard). The episode? “Lion, Goat-Legged, Buer – OH MY!” And yes, it’s just as chaotic and unhinged as it sounds.

Writing has always been my first creative love. Improv is a very close second, but writing is the one I come home to. I can do it anywhere and at anytime. When Heath asked if I’d write this thing, I said yes immediately. It felt good to be trusted with someone else's idea and to see it brought to life. We met at a bar after I completed the scripts and then Heath was happy and he put it into production with his crew.

I performed a week of shows at the 15th Annual Boulder International Fringe Festival this year, and I was thrilled to see so many familiar faces there. Though this photo makes me look like a decent human being with at least an ounce of decorum, I want to officially go on record and say that all performances were fully savage. I take no responsibility for how reckless I actually was on stage.

You don’t always need a lead role to feel like you’ve made it. Sometimes all it takes is a green screen, a burrito, and your butt stealing the scene in a credit union commercial your parents actually watched. Here's the story of this Colorado Commercial.

What happens when two carolers won’t leave your porch and demand money? Holiday magic, obviously. Ty Sells, my brother Troy, and I...

I was a last-minute addition to a comedic short for Save The Storks. Megan Elisabeth Kelly played the lead, and I was cast as her boyfriend — a “douchey” one, to be clear. They handed me a beanie and a V-neck and said, “You’re the guy.” That’s how quick it was.

Back in Denver, I joined Grafenberg Theater as a writer and performer in a show called 303’s & Heartbreaks. It was my first actual sketch writing job at a dedicated comedy theater — not something I made with friends or solo. Up until then, all the writing I’d done had been just me. I was used to seeing my ideas through from beginning to end, without needing to answer to anyone else. For better or worse, it was just my voice. But this was different. This was a show. With co

( Stop, Wait a Minute ) A few years back, I had the chance to be in the music video for Shanin Blake’s song “Stop, Wait a Minute.”  I...

We made a fun little parody short inspired by the final sequence of The Rock . It’s dramatic, over-the-top, and built around the simple...

Sometimes your taste outpaces your talent — and that’s okay.I co-wrote, produced, and acted in a sketch called Our Pet Nicolas Cage. It had a fun premise and a talented cast. It also had bees, too many layers, and a clear lesson in learning when less is more. Here's what I took from that project — and why I'm still proud of it, warts and all.

5 Things I Wish I Learned Before Making a Short Film (That Was Never Released)

In 2017, a film I was part of called Army & Coop hit streaming. It was a low-budget, late-night, raunchy, testosterone-fueled comedy set in Boulder, Colorado. I played the bad guy — the kind of antagonist you'd boo at a midnight screening. Looking back, it was my first feature-length role, and I learned a lot, fast. Here are five lessons I took from playing a guitar-strumming, self-absorbed, pink-polo-wearing villain in a film that, for all its absurdity, taught me real th