Editor's Note: This piece was originally written for BestComedyTickets, where the goal was to generate traction through the comedy sphere and drive attention to their site. At the time, I was a young comic trying to find my voice in the scene. Tim Robinson and Sam Richardson were already making waves in sketch comedy, and I genuinely admired their work.

This was one of my favorite interviews because it happened in person. Most of my interviews were conducted over the phone or through email. At the time, I was just an open mic comic and fledgling actor and I hadn’t even performed on a showcase in the city yet. Sean White was one of the veterans I looked up to and learned from. Sean took the time to recommend some books and gave me genuinely valuable insight into both comedy and the craft. I’m pretty sure I was the worst inte

Thanks to the democratization of digital media, comedians and creators no longer need a greenlight from Hollywood to make something funny. Just ask the teams behind Workaholics, The Lonely Island, Broad City, or Drunk History.

During the pandemic, I found myself gaming again. Like a lot of people, it started with trying to reconnectwith friends, with fun, with some version of normal. I was coaching wrestling at Denver West with Rocco DePaolo, Justin Gaethje, and Josh Imeraj, and we'd hop into Call of Duty: Warzone lobbies with some of the kids we coached. Spoiler: we’d get smoked.

The Dads started in 2019 as a one-off improv bit at Grafenberg Theater where we played our dads. We didn’t even have a name yet — we just called it Best Worst Cantina Presents, after my production company. Back then, any sketch or improv show I produced went under that banner. It was less about branding and more about just getting on stage and making people laugh.

Ten years ago, a bunch of film-obsessed college students decided we weren’t going to wait around for permission to make movies. Our school, Augustana College, didn’t have a film program. There was no department, no resources, and no official path forward. What we did have were stories we wanted to tell and a deep need to create. So, we made our own path. This is the story of Bob Mazooka.

April is National Poetry Month, a time to celebrate the beauty and power of words. It’s a time to expl

Welcome to the first episode of the Gary Miller Show. I talked to my dad John Miller. I got a chance to talk to him about playing football as a child in the 1960's in Colorado and what it was like to grow up as a Johnny Unitas fan and a Notre Dame fan.

Originally posted in 2021. Updated in 2025. At the time, I was leaning toward a career pivot — I even entered a Master’s program thinking teaching might be the new path. But the creative bug never left.

A new episode of Unemployed Commentators is out now, and this time we’re joined by athlete Kayla Bushey. We talked with Kayla about the event she competes in—one many of us have seen in the Olympics but probably never understood beyond the surface.

Angotango Picture's short film "Trumpocalypse" was nominated in the Short Narrative category at this years Colorado Film and Video Association's (CFVA) Awards show.

Welcome to an album from an alternate dimension where taste took a backseat and chaos held the aux cord. Now That’s What I Call Shitty Music Vol. 1 is a genre-bending mess of songs nobody asked for — and somehow, they still slap.

In the very first episode of Storytime with Gary on Grafenberg TV, I read The Soul Bird by Michal Snunit — a beautifully simple book that manages to say something profound about emotions, memory, and what it means to be a person. It’s technically a children’s book, but like the best “kids” stories, it hits adults right in the chest.

During the early days of the pandemic, I started a weekly solo show called Storytime with Gary for Grafenberg TV — a digital content stream launched by the Grafenberg Theater.